"Hunting for Witches" fakes you out with a sample collage at the top, then takes on xenophobia in a dutiful re-take on the band's first hit, "Banquet". The opener has singer Kele Okerere trying on a sly, potentially embarrassing falsetto, but within a minute the band's starting to kick up dust, on its way to a chorus hook that's loose, energetic, and honestly thrilling: It's the kind of craftsmanship that would sound good coming from nearly anyone. And this keeps them … well, convincing.Īnd so when A Weekend in the City comes bursting out at you with a gaggle of second-album upgrades- new tricks, new scope, new arrangements- the bulk of them sound like good ideas: They've been executed by hard-working professionals. ![]() ![]() If they have the demeanor of rock's teacher's pets, they have the talent and the work ethic, too- they're attentive, conscientious, and good at what they do. Judging by their records, Bloc Party are awfully dedicated to the craft and the details of making this stuff: From their first songs onward, they've been cruising through big tricks with a studied ease that makes you wonder why other bands find it so difficult. ![]() But then there's the other side of their seriousness. All of this could have led them down the path to an absolutely dreadful second album: pompous, preachy, overreaching, and still dull.
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